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Inside: The Visual Art of Poet Lawrence Ferlinghetti
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Student Type Design: Four to Watch (http://www.printmag.com/typography/student-typeface-design/?utm_source=newsletter&utm_medium=email&utm_campaign=pr-cbu-nl-180516fw_source=newsletter&fw_medium=email&fw_campaign=pr-cbu-nl-180516)

It takes a certain kind of focus and discipline to design an original typeface, plus a tremendous amount of research—not to mention the patience needed to keep drawing and re-drawing the same letterforms over and over until they hold together as a unified family. These four student type designers demonstrate that being short on experience is no obstacle to producing a killer typeface, and that a fresh take on the subject is often a very good thing indeed.
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http://www.printmag.com/steven-brower/the-visual-art-of-poet-lawrence-ferlinghetti/?utm_source=newsletter&utm_medium=email&utm_campaign=pr-cbu-nl-180516fw_source=newsletter&fw_medium=email&fw_campaign=pr-cbu-nl-180516

The Visual Art of Poet Lawrence Ferlinghetti (http://www.printmag.com/steven-brower/the-visual-art-of-poet-lawrence-ferlinghetti/?utm_source=newsletter&utm_medium=email&utm_campaign=pr-cbu-nl-180516fw_source=newsletter&fw_medium=email&fw_campaign=pr-cbu-nl-180516)

Did you know that poet Lawrence Ferlinghetti was also a visual artist? Here, Steven Brower shares some of the artist's work.
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Certificate in Graphic Design (https://www.howdesignuniversity.com/collections/certificate-in-graphic-design/?utm_source=newsletter&utm_medium=email&utm_campaign=pr-cbu-nl-180516fw_source=newsletter&fw_medium=email&fw_campaign=pr-cbu-nl-180516)

Carefully curated and comprised of seven courses, this graphic design certificate is built for those of you just getting started in the field, and those of you who’ve been at it a few years but really want to nail those basics. This is about building a more solid foundation, and taking your career to the next level.
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http://www.printmag.com/typography/safety-razor-blade-typography/?utm_source=newsletter&utm_medium=email&utm_campaign=pr-cbu-nl-180516fw_source=newsletter&fw_medium=email&fw_campaign=pr-cbu-nl-180516

Razor Blade Typography (http://www.printmag.com/typography/safety-razor-blade-typography/?utm_source=newsletter&utm_medium=email&utm_campaign=pr-cbu-nl-180516fw_source=newsletter&fw_medium=email&fw_campaign=pr-cbu-nl-180516)

Safety razors are making a comeback and we can't help but drop our jaws at the rich typography on their packaging.
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http://www.printmag.com/typography/designers-broke-rules-of-typography/?utm_source=newsletter&utm_medium=email&utm_campaign=pr-cbu-nl-180516fw_source=newsletter&fw_medium=email&fw_campaign=pr-cbu-nl-180516

7 Designers Who Broke the Rules of Typography – With Beautiful Results (http://www.printmag.com/typography/designers-broke-rules-of-typography/?utm_source=newsletter&utm_medium=email&utm_campaign=pr-cbu-nl-180516fw_source=newsletter&fw_medium=email&fw_campaign=pr-cbu-nl-180516)

It’s easy to agree with the idea that type should be a more or less invisible vessel for the meaning of the words it spells out; that it should be, in an awesome paradox of design, both exceedingly legible and, in a way, imperceptible. But what if a transformation in type leads to the letters acquiring new powers—of illustrating, embodying, amplifying, or complicating the message?
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Callie Budrick
Associate Editor for HOW and PRINT magazines
Budrick is a writer, freelancer and social media coordinator based in Cincinnati, OH. When she's not working with HOW & PRINT, you can find her at local open mic nights trying to get over her stage fright, making podcasts with her roommates, or hanging out with her cat Kimmy G. The G stands for Gibbler.

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